Cinema

  • Cinema

    On cinema

    I rarely blog about cinema. I only write if it is worth the effort. The last movie I blogged about was Taare Zameen Par. But today, I wanted to talk about something entirely different. Let’s start with home. The release of the much-hyped Rajnikanth guest-starrer Kuselan is around the corner. I have watched the trailers and teasers on TV. What I find amazing is that Rajnikanth has become such a hyped commodity. For me, what is important is the story. According to reports, Rajnikanth has barely 15 minutes of screen time. But, practically all the teasers feature him to the exclusion of everyone else. This, I find unacceptable. The other actors in the movie are equally accomplished, if not actually better. Take Pasupathy for example. I would rather watch Pasupathy perform as villain than watch Rajnikanth dancing around trees with an 18 year-old heroine. It is galling that actors of the calibre of Pasupathy and Prabhu are being sidelined in favour of the "superstar". I would not watch this movie for Rajnikanth, but I probably will because it veterans like Balachander and Vasu. I am probably going to get brickbats from fans of the superstar. But frankly, I am sick of geriatric heroes running around the trees with heroines less than their daughters’ age. Vijaykanth is probably the worst of the lot. But, Rajnikanth or even Kamal Hassan(I happen to like Kamal’s acting) are no better. Can they please give way to younger, and better-looking heroes?

    Now, on to the next. Check out this post. A bit excessive don’t you think? Even worse, the stupid "rule" the author has cited. I got to this link via Confused. And, I quite agree with him. It’s a movie!! I go to a movie to have fun. Yes, once in a while, a movie succeeds in touching my heart or making me think. Like Taare… did. But, that is it. Some people love looking at the world through the prism of feminism. And the result is disastrous at times and ridiculous at others. I am not a feminist. I believe in equality, yes. But I do NOT watch every single movie with feminism on my mind. And if you so dislike pointless characters, you shouldn’t be watching movies anyway. Most movie characters make no sense, male or female.

  • Cinema,  Education,  Personal,  Society and Institutions

    On dyslexia and Bollywood

    I watched the movie Taare Zameen Par today. And man, was I surprised! Surprised to find that Bollywood actually bothered to make a film that’s both relevant and realistic. And managed to restrain itself from introducing any contrived love story into the film. It reminded me of an earlier post where I reviewed Chak De India. Each of these movies signals that Indian cinema has indeed matured. If Chak De dealt with the place of women in a man’s world, Taare talked about parental pressure, and a child’s response to it.

    To be honest, I cried, through practically every frame of the movie. Not that I bawled my eyes out, but that I felt genuinely touched by the pain the kid went through. I laughed at his antics and cried at his loneliness. And for the first time, I felt as if someone had actually understood what I felt like when I was a kid. I was never dyslexic, nor did I have a serious learning problem. But, I lived through loneliness and desperation at times. I was never among the top ten, or even twenty in class. And it hurt. Not because I got the 2’s and 3’s that 9-year-old Ishaan Awasthi did, but because despite a decent 10 on 20, my teachers would still insist that I was incapable of learning. In a way, the film brought back my childhood to me. It only got worse as time went on. Classmates, toppers all of them, would advise me to study as hard as I could. Some would insist that going to X Sir or Y Ma’am would change everything. And being the stubborn ass I was, and still am, simply refused to seek help. Not until I got to college did I feel genuinely happy about myself. If I am a confident student/teacher/worker/blogger today, it’s because college taught me to love myself, irrespective of what others think.

    On an intellectual level, the film also made me think. Think about why engineering or medicine are considered the only things “worth” studying. How can you judge a branch of study by the amount of money a person makes in life? I studied political science. I am now teaching French. I have not got a job that is related to my studies. Does that mean that political science or security studies is worthless? Why can’t I study, just for the heck of it? I loved what I did in France for two years. I don’t regret it. Then why should people look at me with pity, when I say I am teaching French at the Alliance? Oh! So, you mean you have nothing better to do? They ask. Why is it so wrong for me to consider teaching a good enough option? Am I worthless because I am not a “professional” as others would see it?

    All around me, I see parents stuffing their children with knowledge. I see 7-year-old kids studying feverishly for the “pre-annual model exam”. I see mothers fretting over the loss of a single mark in maths, or the relinquishing of the first rank to a neighbour. Is this all you want from your kids? Is it more important to get marks (and money later in life) then to think for yourself? What are we doing to our kids? Why can’t we just let them be kids? Why do we refuse to let them enjoy their already short-lived childhood? In the unlikely event that any parents are reading this, I have one request. Be proud of your kids for what they are. Don’t expect them to be what you could not be. If you wanted to be a doctor and failed to make the grade, don’t expect to make up by living that life through your child. You may be the parent, but the child is his own individual. Remember, everything in life is not what it appears to be. And sometimes, the ability to think out of the box can be a person’s greatest asset. We must take care not to damage that ability irreparably.

  • Cinema,  Culture,  Feminism,  Politics,  Sports

    Chak de…India!!

    Today, I watched a movie. Nothing special about that. But, the movie in itself was rather special. Those in India must have heard of Chak de…India, a movie with Shahrukh Khan in the lead. To cut a long story short, the movie was worth watching. More on that a little later. Before that, I would like to reply to a comment on my previous post on Biharis and politics. My esteemed reader tells me I should refrain from commenting on things I do not fully understand, with reference to my comment that Tamil and Hindi are as different from one another as English and Russian. I also said that the differences between Maithili and Hindi cannot be compared to those that exist between Tamil and Hindi. I said this, not with the intention of downplaying the importance of the regional languages, Maithili and Bhojpuri, but with the intention of highlighting the fact the Tamil has an origin and development entirely different from that of Hindi. Secondly, when the reader says I must refrain from talking about what I do not understand, I am amused rather than insulted. The reader does not know me. Nor does he/she make an effort to ask. I will only say I understand linguistics and language development better than most average people. The reasons behind that are many. I have neither the time, nor the inclination to explain each of them here. Those who know me will know why.

    Ok. On to Chak de. The movie was, for want of a better word, refreshing. Amid the hype and drama of the ICL-BCCI tussle, it highlights an oft-neglected issue. That of the quagmire in which women’s hockey finds itself. It tackles such issues as the neglect of women’s sport in general, the national preference for cricket over hockey, the determination of the men (and sometimes women) in charge to make life as difficult for sportswomen as possible and the feeling of belonging to a state team rather the Indian national team. And it tackles these issues realistically. It shows the human side of both the coach and the players. It tells the tale of women who show the world that they can do more than just cook. It is not a feminist story. It is a very motivating one. I don’t remember the last time I came out a movie theatre so satisfied with a film. This one filled me with a sense of relief that Hindi Cinema is finally trying to break out of the song-and-dance routine. May the attempt be successful.

  • Cinema,  Literature

    On literature and cinema

    Over the past few days, I have heard more about Harry Potter than I did over the last 10 years. The hype surrounding the release of Book 7 is unbelievable. Among other unbelievable things is this article in the San Jose Mercury News about giving Harry a “proper send-off”. I began to read the article out of sheer curiosity. By the time I finished it, I was convinced that all the hype was unnecessary. To “hold “Goodbye, Harry” gatherings” and mock funerals seems utterly ridiculous to me. If there is one thing the Potter series has done to children, it is to teach them that death is a certainty. It tells the tale of an epic battle between good and evil and shows that many lives, some innocent and others not, will be lost in the process. When a series as realistic as this one ends, why should children go into a state of manic depression? It seems that when they do, they have not really learnt the lesson Jo tried so hard to convey. That “for the well-organised mind, death is but the next great adventure.” If that is true, children would understand why the series has to end. They would understand that all good things must end at some point so that better things can take their place. By advising parents to hold mock funerals and memorial services in the memory of the fictional hero, I think psychologists and psychiatrists are underestimating the intelligence of children who read the Potter books. Perhaps, they have understood the point of the books better than we have as adults. Perhaps, they are not as dumb as child and family psychologists think they are.

    Having said that, on to the second theme of this post. I recently saw the trailer of the forthcoming movie “Gandhi, My Father“. It’s tagline states that
    “one family’s tragedy was the price of a nation’s freedom.” Why is that, you may wonder. For the first time, a movie humanises Gandhi and talks about the complicated relationship he shared with his eldest son, Harilal. As usual, the political parties claiming uphold the Gandhian legacy have created a furore about the movie allegedly tarnishing Bapu’s squeaky clean image. Why is it so difficult for us to accept that the man who brought us independence through the mantra of non-violence may not have been the perfect human being we make him out to be? Does his failure as a father undermine, in any way, his contribution to the Indian freedom movement? The question I asked a few months ago of Indian crickets is valid in this context too. Why do we seek to deify those who do us good? Why can’t Gandhi be human, with his flaws and drawbacks? Why does he have to be God-incarnate to hold a place in our hearts? To me, Gandhi is a man. A great man, but a man nonetheless. Yes, his contribution to the freedom struggle was invaluable. But he had his faults. Who doesn’t? I don’t agree with many of his principles, but I still respect him. If I were to criticise his ideals, do I become the Devil’s advocate? I don’t think so. I certainly hope people don’t stop questioning what must be questioned in an attempt at blind reverence. Gandhi was a great man. He was a Mahatma. But even Mahatmas have their flaws.

  • Cinema,  Literature

    The Harry Potter Phenomenon

    While on a smelly 7-hour long Air India flight from Paris to Mumbai, one tends to try and distract oneself by reading. And that is precisely what I did. Before I proceed, let me register my disappointment with the state of India’s shining national carrier. After a highly annoying conversation with the Air India Paris representative about baggage allowances and laptop computers, I boarded the flight with an armload of magazines and newspapers. The flight’s condition gave me serious doubts about its air-worthiness and made me wonder if Air India had at all bothered to maintain its fleet since it first acquired the aircraft in the 1970s. Trust me, it was that bad.

    Anyway, back to the point. Once I got over the shock of seeing the state of “Air India shining”, I began to read the highly interesting, but atrociously expensive Time Magazine. The article in question was about the efforts of the “Harry Potter Brain Trust” to keep up the net of secrecy surrounding the much-hyped release of Harry Potter and the Deathly Hallows. While the process in itself was extremely interesting, what spurred me on to writing this post was the conclusion of the authors, Lev Grossman and Andrea Sachs. They ask whether the publishers of the Harry Potter books are not under-estimating the power of the same series they are working so energetically to promote.

    This was a particularly interesting question. If people only read books to find out the story and the ending, nobody would read the same books more than once. Such is not the case, as we all know. Dickens, published many decades ago still holds a sway over lovers of books. Some books are classics and we never tire of reading them. I have read David Copperfield and many times over and the books hold the same appeal today as they did all those years ago, during the first reading. To cite more examples, the story of Iliad and Odyssey are so famous that they must have become boring by now. But no, they continue to inspire the production of such blockbusters as Troy and Gladiator. The same goes for the Potter books. Why then, are we obsessing with secrecy? Why are we so paranoid about spoilers on the Internet affecting our enjoyment of the books? So what if we do find out the ending? Do we not read a book simply because we want to read it irrespective of who killed whom and who defeated whom?

    As a student of literature (ex-student, but that’s beside the point), I find that it only makes sense if Harry finally defeated the evil Voldemort. Why would Jo create the character only to have him defeated at the hands of the most powerful and evil sorcerer ever? From a purely literary perspective, that is the only thing that would make sense. The good must always triumph over the bad. That is poetic justice. And not even J K Rowling would throw us a googly on that. That brings us back to the original question. What is the point of reading. The point is to spend time with the book and enjoy the time thus spent. It is appreciate and even experience a good book. And Harry Potter, is a good book.